Ironic Detachment

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                    Taylor enthroned with her Butterfield 8 trophy is probably the greatest post-Oscars photo ever taken. Next would be Terry O’Neill’s picture of Faye Dunaway breakfasting at The Beverly Hills Hotel the morning after she won the best actress for Network (1976). Lounging at poolside in her creamy silk dressing gown, newspapers scattered at her feet, Dunaway contemplates her Oscar with a tinge of ironic detachment and fatigue.

                    This bleak, brilliant photo marks the arrival of a new generation in Hollywood, hip, smart, and cynical. The mythic grandeur of old Hollywood and its pantheon of celestial stars is already gone.

Camille Paglia
Provocations
(2018)

 

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